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The Brothers Grimm

THE BROTHERS GRIMM

Metro-Goldwyn-Mayer, 2005
Matt Damon
Heath Ledger
Jonathan Pryce
Lena Heady
Barbara Lukêsova
Anna Rust
Jeremy Robson
Mackenzie Crook

In Terry Gilliam’s The Brothers Grimm the eponymous siblings are dodgy dealing con artists of the early 1800’s who use their imaginations solely to profit from fearful folk, scared of the witches and wizardry the brothers themselves have invented. When the brothers are revealed to be charlatans the Napoleonic General, Delatombe (Jonathan Pryce), behests them on pain of death to investigate the disappearance of little girls from the French occupied German village of Marbaden. Will (Matt Damon) is the mercenary of the pair, and has cynically rebuked Jacob’s (Heath Ledger’s) obsession with magic; as a child Jacob sold the family cow for nothing but magic beans. However, Will is left eating his (little red riding) hat when the boys Grimm find themselves embroiled in a situation of true sorcery, including an enchanted forest and a narcissistic Mirror Queen, where the magnitude of the magic is beyond even their conniving capabilities.

The Grimm’s fairy tales are at all times present within the film, more by way of cameo appearance than anything else, and I really didn’t feel as though the potential of these stories were realised.

The making of The Brothers Grimm was not without its problems. Miramax studio execs fired Gilliam’s choice of cinematographer and did not allow him to appoint Samantha Morton as lead actress; instead the part of Angelika went to Lena Heady. Lena Heady certainly did not do a bad job, but as a huge fan of Samantha Morton, I would have been very interested to see what she would have done with the character. Such feuding with the producers caused production to cease for six months, in which time Gilliam made Tideland. Gilliam was dissatisfied with Ehren Krueger’s script for The Brothers Grimm so Gilliam and Tony Grisoni modified it to their own liking.

Krueger is credited as sole screenwriter, however, Gilliam and Grisoni have mischievously listed themselves as ‘dress pattern makers’ on the credits.

Perhaps these problems are part responsible for the film being good, but by no means exceptional. Combined with the fact that the release date was originally scheduled for over a year ago, it certainly feels as though the film has past its sell-by date while it’s been sitting on the shelf. Ledger and Damon play their German parts with English accents tinged with Cockney, as Gilliam believed that German accents would have been unwittingly comedic. The rest of the German townspeople have an array of English accents with Hansel and Gretal as Geordies. English accents would allow a vaster audience to identify with and warm to the characters, however, I found that I didn’t care much about the Grimms in their adventure, English accent or not. Better ‘scary forests’ have been done elsewhere, namely by Tim Burton. As for the villains, Delatombe was pathetic and his torturous number two, Cavaldi, (played rather well by Peter Stormare) turned out to be a good guy after all.

I was more than excited to see a new Terry Gilliam creation. I remember sitting spellbound in the cinema on my big brother’s ninth birthday watching The Adventures of Baron Munchausen and devoting more hours than is healthy to our VHS recording of Time Bandits from the television. Since then I vowed to book myself first class tickets on each of the director’s flights of fancy. Gilliam is a maximalist director who loves to fill his filmic world with prodigious richness and visual spectacle, and The Brothers Grimm is no exception to this end, accept it fails to ignite my imagination the way his previous work has always done. Gilliam and his restless editing always cooks up a feast for the eyes, however this film left me hungry, not for more, but for a different dish entirely: all I wanted to do was go home and watch Time Bandits again. At a heightened point in The Brothers Grimm Will declares that his spangled mirror-embossed-armour isn’t at all magic, “It’s just shiny”, and I realised that was exactly how I felt about The Brothers Grimm: It looked as though it would work, it had all the elements, but I was still left waiting for the magic. Alas, on this rare occasion, I feel that Gilliam’s beans have fallen on fruitless soil.